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StreamingSoundtracks.com - Cairo Time - Niall Byrne
Album Information
Cover
Album Cairo Time
Artist Niall Byrne
Year 2009
Genre Soundtrack
Rating
Contributor Ruelf


Request Buy # Track Listing Length Played
AmazoniTunes 01 Arrival
Niall Byrne
1:21 11
AmazoniTunes 02 A Partial View
Niall Byrne
1:46 18
AmazoniTunes 03 Out Of Her Depth
Niall Byrne
1:01 7
AmazoniTunes 04 White Desert
Niall Byrne
3:23 27
AmazoniTunes 05 Juliette Is Happy
Niall Byrne
2:29 51
AmazoniTunes 06 Top Of Felucca Ride
Niall Byrne
0:55 7
AmazoniTunes 07 Orabi Square
Niall Byrne
1:31 29
AmazoniTunes 08 Bus To Gaza
Niall Byrne
0:42 6
AmazoniTunes 09 An Unspoken Moment
Niall Byrne
1:44 20
AmazoniTunes 10 Stopped By Israeli's
Niall Byrne
1:42 6
AmazoniTunes 11 Tareq Takes A Quiz
Niall Byrne
0:44 8
AmazoniTunes 12 Mosque
Niall Byrne
1:45 10
AmazoniTunes 13 Pyramid Affair
Niall Byrne
2:15 116
AmazoniTunes 14 Tareq & Juliette Drive
Niall Byrne
0:59 6
AmazoniTunes 15 Cairo Time
Niall Byrne
1:23 9

Hint: Hover over buttons and album/artist name next to the cover for more info.


Reviewers Rating

1 review done for this album.


The lyrical piano theme stays with you after the score has finished.
By: MainTitles
Date: 21 Aug 2011
Rating:
Written by Alan Rogers - Review of the download only release

...

The music is firmly set (for the most part) in the Western idiom, featuring a strong presence of solo piano (perhaps played by the composer himself) with the support of a small string ensemble (possibly a quartet). Heard immediately in the first cue “Arrival”, the lyrical theme gets a full statement on piano and reminds me much of the work of Ludovico Einaudi. Throughout the subsequent cues we hear this theme being played with slight variations both in the piano lines as well as in the supporting strings. For example, fragments of the theme can be heard as part of a waltz in “Tareq Takes A Quiz”. We first hear any hint of place geographically in track 8, “Bus To Gaza” where what sounds like a zither-type instrument plays a hesitant secondary theme. This secondary theme and the ethnic influences are featured in several subsequent cues (“Stopped By Israelis”, “Mosque”, “Tareq and Juliette Drive”), sometimes being heard in conjunction with some threatening sustained synth underscore (e.g., “Stopped By Israelis”).

...

Read the complete review on MainTitles.net

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